forty centuries of ink-第18部分

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and　civilization　that　kept　this　method　in　constant

exercise。　It　was　chiefly　for　the　lack　of　ability

and　lack　of　disposition　to　put　paper　to　proper　use

that　the　earlier　European　knowledge　of　paper…

making　was　so　barren　of　results。　The　art　of　book…

making　as　it　was　then　practised　was　made　subservient

to　the　spirit　of　luxury　more　than　to　the　desire

for　knowledge。　Vellum　was　regarded　by　the　copyist

as　the　only　substance　fit　for　writing　on；　even

when　it　was　so　scarce　that　it　could　be　used　only　for

the　most　expensive　books。　The　card…like　cotton

paper　once　made　by　the　Saracens　was　certainly

known　in　Europe　for　many　years　before　its　utility

was　recognized。　Hallam　says　that　the　use　of　this

cotton　paper　was　by　no　means　general　or　frequent；

except　in　Spain　or　Italy；　and　perhaps　in　the　south

of　France；　until　the　end　of　the　fourteenth　century。

Nor　was　it　much　used　in　Italy　for　books。



〃Paper　came　before　its　time　and　had　to　wait　for

recognition。　It　was　sorely　needed。　The　Egyptian

manufacture　of　papyrus；　which　was　in　a　state　of

decay　in　the　seventh　century；　ceased　entirely　in　the

ninth　or　tenth。　Not　many　books　were　written　during

this　period；　but　there　was　then；　and　for　at　least

three　centuries　afterwards；　an　unsatisfied　demand

for　something　to　write　upon。　Parchment　was　so

scarce　that　reckless　copyists　frequently　resorted　to

the　desperate　expedient　of　effacing　the　writing　on

old　and　lightly　esteemed　manuscripts。　It　was　not

a　difficult　task。　The　writing　ink　then　used　was

usually　made　of　lamp…black；　gum　and　vinegar；　it

it　had　but　a　feeble　encaustic　property；　and　it　did

not　bite　in　or　penetrate　the　parchment。　The　work

of　effacing　this　ink　was　accomplished　by　moistening

the　parchment　with　a　weak　alkaline　solution　and

by　rubbing　it　with　pumice　stone。　This　treatment

did　not　entirely　obliterate　the　writing；　but　made　it

so　indistinct　that　the　parchment　could　be　written

over　the　second　time。　Manuscripts　so　treated　are

now　known　as　palimpsests。　All　the　large　European

public　libraries　have　copies　of　palimpsests；　which　are

melancholy　illustrations　of　the　literary　tastes　of

many　writers　or　bookmakers　during　the　Middle

Ages。　More　convincingly　than　by　argument　they

show　the　utility　of　paper。　Manuscripts　of　the

Gospels；　of　the　Iliad；　and　of　works　of　the　highest

merit；　often　of　great　beauty　and　accuracy；　are

dimly　seen　underneath　stupid　sermons；　and　theological

writings　of　a　nature　so　paltry　that　no　man

living　cares　to　read　them。　In　Some　instances　the

first　writing　has　been　so　thoroughly　scrubbed　out

that　its　meaning　is　irretrievably　lost。



〃Much　as　paper　was　needed；　it　was　not　at　all　popular

with　copyists；　their　prejudice　was　not　altogether

unreasonable；　for　it　was　thick；　coarse；　knotty；　and

in　every　way　unfitted　for　the　display　or　ornamental

penmanship　or　illumination。　The　cheaper　quality；

then　known　as　cotton　paper；　was　especially　objectionable。

It　seems　to　have　been　so　badly　made　as

to　need　governmental　interference。　Frederick　II；

of　Germany；　in　the　year　1221；　foreseeing　evils

that　might　arise　from　bad　paper；　made　a　decree　by

which　he　made　invalid　all　public　documents　that

should　be　put　on　cotton　paper；　and　ordered　them

within　two　years　to　be　transcribed　upon　parchment。

Peter　II；　of　Spain；　in　the　year　1338；　publicly

commanded　the　paper…makers　of　Valencia　and

Xativa　to　make　their　paper　of　a　better　quality　and

equal　to　that　of　an　earlier　period。



〃The　better　quality　of　paper；　now　known　as

linen　paper；　had　the　merits　of　strength；　flexibility；

and　durability　in　a　high　degree；　but　it　was　set　aside

by　the　copyists　because　the　fabric　was　too　thick

and　the　surface　was　too　rough。　The　art　of　calendering

or　polishing　papers　until　they　were　of　a

smooth；　glossy　surface；　which　was　then　practised

by　the　Persians；　was　unknown　to；　or　at　least

unpractised　by；　the　early　European　makers。　The

changes　or　fashion　in　the　selection　of　writing　papers

are　worthy　of　passing　notice。　The　rough

hand…made　papers　so　heartily　despised　by　the

copyists　of　the　thirteenth　century　are　now　preferred

by　neat　penmen　and　skilled　draughtsmen。

The　imitations　of　mediaeval　paper；　thick；　harsh；

and　dingy；　and　showing　the　marks　of　the　wires

upon　which　the　fabric　was　couched；　are　preferred

by　men　of　letters　for　books　and　for　correspondence；

while　highly　polished　modern　plate　papers；　with

surfaces　much　more　glossy　than　any　preparation　of

vellum；　are　now　rejected　by　them　as　finical　and　effeminate。



〃There　is　a　popular　notion　that　the　so…called　inventions

of　paper　and　xylographic　printing　were

gladly　welcomed　by　men　of　letters；　and　that　the

new　fabric　and　the　new　art　were　immediately

pressed　into　service。　The　facts　about　to　be　presented

in　succeeding　chapters　will　lead　to　a　different

conclusion。　We　shall　see　that　the　makers　of

playing　cards　and　of　image　prints　were　the　men

who　first　made　extended　use　of　printing；　and　that

self…taught　and　unprofessional　copyists　were　the

men　who　gave　encouragement　to　the　manufacture

of　paper。　The　more　liberal　use　of　paper　at　the

beginning　of　the　fifteenth　century　by　this　newly…

created　class　of　readers　and　book…buyers　marks　the

period　of　transition　and　of　mental　and　mechanical

development　for　which　the　crude　arts　of　paper…

making　and　of　black　printing　had　been　waiting　for

centuries。　We　shall　also　see　that　if　paper　had　been

ever　so　cheap　and　common　during　the　Middle　Ages；

it　would　have　worked　no　changes　in　education　or

literature；　it　could　not　have　been　used　by　the　people；

for　they　were　too　illiterate；　it　would　not　have

been　used　by　the　professional　copyists；　for　they

preferred　vellum　and　despised　the　substitute。



〃The　scarcity　of　vellum　in　one　century；　and　its

abundance　in　another；　are　indicated　by　the　size

of　written　papers　during　the　same　periods。　Before

the　sixth　century；　legal　documents　were　generally

written　upon　one　side　only；　in　the　tenth　century

the　practice　of　writing　upon　both　sides　of　the　vellum

became　common。　During　the　thirteenth　century

valuable　documents　were　often　written　upon　strips

two　inches　wide　and　but　three　and　a　half　inches

long。　At　the　end　of　the　fourteenth　century　these

strips　went　out　of　fashion。　The　more　general　use

of　paper　had　diminished　the　demand　for　vellum　and

increased　the　supply。　In　the　fifteenth　century；

legal　documents　on　rolls　of　sewed　vellum　twenty

feet　in　length　were　not　uncommon。　All　the　valuable

books　of　the　fourteenth　century　were　written　on

vellum。　In　the　library　of　the　Louvre　the　manuscripts

on　paper；　compared　to　those　on　vellum；　were

as　one　to　twenty…eight；　in　the　library　of　the　Dukes

of　Burgundy；　one…fifth　of　the　books　were　of　paper。

The　increase　in　the　proportion　of　paper　books　is　a

fair　indication　of　the　increasing　popularity　of　paper；

but　it　is　obvious　that　vellum　was　even　then　considered

as　the　more　suitable　substance　for　a　book　of　value。〃



The　curious　contract　belonging　to　the　fourteenth

century　which　follows；　is　a　literal　copy　of　the　original。

It　does　not　seem　to　specify　whether　the　book　is　to　be

made　of　vellum　or　paper。　In　other　respects　the　minute

details　no　doubt　prevented　any　misunderstanding　between

the　contracting　parties。



〃August　26th；　1346There　appeared　Robert

Brekeling；　scribe；　and　swore　that　he　would　observe

the　contract　made　between　him　and　Sir　John　Forber；

viz。；　that　the　said　Robert　would　write　one　Psalter

with　the　Kalender　for　the　work　of　the　said　Sir

John　for　5　s。　and　6　d。；　and　in　the　same　Psalter；　in

the　same　character；　a　Placebo　and　a　Dirige；　with　a

Hymnal　and　Collectary；　for　4　s。　and　3　d。　And

the　said　Robert　will　illuminate　（'luminabet'）　all

the　Psalms　with　great　gilded　letters　laid　in　with

colours；　and　all　the　large　letters　of　the　Hymnal

and　Collectary　will　he　illuminate　with　gold　and

vermillion；　except　the　great　letters　of　double　feasts；

which　shall　be　as　the　large　gilt　letters　are　in　the　Psalter。

And　all　the　letters　at　the　commencement　of　the

verses　shall　be　illuminated　with　good　azure　and　vermillion；

and　all　the　letters　at　the　beginning　of　the

Nocturns　shall　be　great　uncial　（unciales）　letters；　containing

V。　lines；　but　the　Beatus　Vir　and　Dixit　Dominus

shall　contain　VI。　or　VII。　lines；　and　for　the

aforesaid　illumination　and　for　colours　he　＇John＇

will　give　5　s。　6　d。；　and　for　gold　he　will　give　18　d。；

and　2　s。　for　a　cloak　and　fur　trimming。　Item　one

robeone　coverlet；　one　sheet；　and　one　pillow。〃







CHAPTER　IX。



END　OF　MEDIAEVAL　INK。



THE　SECRETAS　PRECEDE　ALCHEMY　AND　CHEMISTRYEFFORT

TO　IMPROVE　GALL　INKSVARIATIONS　IN　INK

COLORSTHE　USE　OF　RED　INK　IN　THE　NINTH　AND

TENTH　CENTURIESCOLOR　COMPARISONS　BETWEEN　INK

WRITINGS　OF　ITALY；　GERMANY；　FRANCE；　ENGLAND　AND

SPAINHOW　TO　DETERMINE　THE　ANTIQUITY　OF

MSS。PRACTICES　WHICH　OBTAINED　IN　MONASTIC　LIBRARIES

OF　VARIOUS　COUNTRIES…KINDS　OF　INK　EMPLOYED

IN　LITURGICAL　WRITINGSTHE　PUBLIC　SCRIBES

AND　THEIR　EMPLOYMENTSEFFORTS　TO　COU