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kept: and perhaps more gum was used in them;

or possible they were washed over with some kind

of varnish; though not such as gave gloss。



〃One of the specimens sent me by Mr。 Astle;

of the fifteenth century; and the letters were those

of an engrossing hand; angular; without any FINE

strokes; broad and very black。 On this none of

the above…mentioned re…agents produced any considerable

effect; most of them seemed to make the

letters blacker; probably by cleaning the surface;

and the acids; after having been rubbed strongly on

the letters; did not strike any deeper tinge with the

phlogisticated alkali。 Nothing had a sensible effect

toward obliterating these letters but what took off

part of the surface of the vellum; when small rolls;

as of a dirty matter; were to be perceived。 It is

therefore unquestionable; that no iron was used in

this ink; and from its resistance to the chemical

solvents; as well as a certain clotted appearance in

the letters when examined closely; and in some

places a slight degree of gloss; I have little doubt

but they were formed with a composition of a black;

sooty or carbonaceous powder and oil; probably

something like our present printer's ink; and am not

without suspicion that they were actually printed

(a subsequent examination of a larger portion of

this supposed MSS。 has shown that it is really a part

of a very ancient printed book)。



〃Whilst I was considering of the experiments

to be made; in order to ascertain the composition

of ancient inks; it occurred to me that perhaps one

of the best methods of restoring legibility to decayed

writing might be to join phlogisticated alkali

with the remaining calx of iron; because; as the

quantity of precipitate formed by these two substances

very much exceeds that of the iron alone;

the bulk of the colouring matter would thereby be

greatly augmented。 M。 Bergman was of opinion

that the blue precipitate contains only between a

fifth and a sixth part of its weight of iron; and

though subsequent experiments tend to show that;

in some cases at least; the proportion of iron is

much greater; yet upon the whole it is certainly

true; that if the iron left by the stroke of a pen

were joined to the colouring matter of phlogisticated

alkali; the quantity of Prussian blue thence

resulting would be much greater than the quantity

of black matter originally contained in the ink

deposited by the pen; though perhaps the body of

colour might not be equally augmented。 To bring

the idea to the test; I made a few experiments as

follows:



〃The phlogisticated alkali was rubbed upon the

bare writing in different quantities; but in general

with little effect。 In a few instances; however; it

gave a bluish tinge to the letters; and increased

their intensity; probably where something of an

acid nature had contributed to the diminution of

their colour。



〃Reflecting that when phlogisticated alkali forms

its blue precipitate with iron the metal is first usually

dissolved in an acid; I was next induced to try the

effect of adding a dilute mineral acid to writing besides

the alkali。 This answered fully to my expectations;

the letters changing very speedily to a deep

blue colour; of great beauty and intensity。



〃It seems of little consequence as to the strength

of colour obtained; whether the writing be first wetted

with the acid; and then the phlogisticated alkali be

touched upon it; or whether the process be inverted;

beginning with the alkali; but on another account

I think the latter way preferable。 For the principal

inconvenience which occurs in the proposed

method of restoring MSS。 is; that the colour frequently

spreads; and so much blots the parchment

as to detract greatly from the legibility; now this

appears to happen in a less degree when the alkali

is put on first; and the dilute acid is added upon it。



〃The method I have hitherto found to answer

best has been to spread the alkali thin with a

feather or a bit of stick cut to a blunt point; though

the alkali has occasioned no sensible change of

colour; yet the moment that the acid comes upon it;

every trace of a letter turns at once to a fine blue;

which soon acquires its full intensity; and is beyond

comparison stronger than the colour of the original

trace had been。 If now the corner of a bit of blotting

paper be carefully and dexterously applied

near the letters; in order to suck up the superfluous

liquor; the staining of the parchment may be in a

great measure avoided: for it is this superfluous

liquor which absorbing part of the colouring matter

from the letters becomes a dye to whatever it touches。

Care must be taken not to bring the blotting paper

in contact with the letters; because the colouring

matter is soft whilst wet; and may easily be rubbed

off。 The acid I have chiefly employed has been

the marine; but both the vitriolic and nitrous succeed

very well。 They should undoubtedly be so

far diluted as not to be in danger of corroding the

parchment; after which the degree of strength does

not seem to be a matter of much nicety。



〃The method now commonly practiced to restore

old writings; is by wetting them with an infusion

of galls in white wine。〃



(See a complicated process for the preparation of

such a liquor in Caneparius De Atramentis; A。 D。

1660; p。 277)



〃This certainly has a great effect; but is subject;

in some degree; to the same inconvenience as the

phlogisticated alkali; of staining the substance on

which the writing was made。 Perhaps if; instead

of galls themselves; the peculiar acid of or other

matter which strikes the black with iron were separated

from the simple astringent matter; for which

purpose two different processes are given by Piesenbring

and by Scheele; this inconvenience might

be avoided。 It is not improbable; likewise; that a

phlogisticated alkali might be prepared better suited

to this object than the common; as by rendering it

as free as possible from iron; diluting it to a certain

degree; or substituting the volatile alkali for the

fixed。 Experiment would most likely point out

many other means of improving the process described

above; but in its present state I hope it

may be of some use; as it not only brings out a

prodigious body of colour upon letters which were

before so pale as to be almost invisible; but has

the further advantages over the infusions of galls;

that it produces its effect immediately; and can be

confined to these letters only for which such assistance

is wanted。〃



The Society of Arts in 1830; received a communication

from Dr。 Bostock; in the course of which he

stated that the 〃tannin; mucilage and extractive

matter are without doubt the principal causes of the

difficulty which is encountered in the formation of a

perfect and durable ink and for a good ink the essential

ingredients are gallic acid and a sesqui salt of

iron。〃 Owing to his working with galls he was unable

to make decisive experiments; but he concludes;

and that rightly; that in proportion as ink consists

merely of gallate of iron; it is less liable to decomposition

and any kind of metamorphosis。



In 1831 the Academy of Sciences in France took

up the matter and designated a committee composed

of chemists with instructions to study the subject of a

permanent ink。 After long research it reported that

it was unable to recommend any better ink than the

tanno…gallate of iron one then in use; but 〃it should

be properly compounded。〃



Peddington investigated; 1841…48; the ancient MSS。

collected by the Asiatic Society of Bengal; Calcutta;

and published the results in 〃Examination of Some

Decayed Oriental Works in the Library of the Asiatic

Society;〃 which are of much interest as relating to

〃mineral〃 inks; the 〃gall〃 inks being unknown in

Asia after the twelfth century。



Up to thirty…five years ago; the manufacture of

〃gall〃 inks necessitated a complicated series of processes

and long periods of time to enable the ink to

settle properly; etc。 It was Professor Penny of the

Anderson University who suggested the way to avoid

one of the processes pertaining to ink…making by

utilizing the known fact; that tannin is more soluble

in cold than in warm or hot water。 It was adopted

all over the world and revolutionized the manufacture

of ink; by doing away with boiling processes and hot

macerations of ingredients。 With hardly in exception

the best tanno…gallate of iron (〃gall〃) inks are

now 〃cold〃 made。







CHAPTER XIII。



STUDY OF INK。



INVESTIGATIONS BY STARK OF INK QUALITIES COVERING

A PERIOD OF TWENTY…THREE YEARSABSTRACT FROM

HIS REPORT OF 1855DR。 CHILTON EXPERIMENTS IN

NEW YORK CITY 1856ACTION OF THE PRUSSIAN

GOVERNMENT IN 1859 AND EMPLOYMENT OF AN OFFICIAL

INKWATTENBACH'S GERMAN TREATISE ON THE

ARCHIVES OF THE MIDDLE AGESWILLIAM INGLIS

CLARK ATTEMPTS TO PL

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