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the hand of ethelberta-第65部分

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which told her that he knew the story and its heroine quite well。
When she delivered the sentence ending with the professedly
fictitious words:  'I thus was reduced to great distress; and vainly
cast about me for directions what to do;' Lord Mountclere's manner
became so excited and anxious that it acted reciprocally upon
Ethelberta; her voice trembled; she moved her lips but uttered
nothing。  To bring the story up to the date of that very evening had
been her intent; but it was beyond her power。  The spell was broken;
she blushed with distress and turned away; for the folly of a
disclosure here was but too apparent。

Though every one saw that she had broken down; none of them appeared
to know the reason why; or to have the clue to her performance。
Fortunately Lord Mountclere came to her aid。

'Let the first part end here;' he said; rising and approaching her。
'We have been well entertained so far。  I could scarcely believe
that the story I was listening to was utterly an invention; so
vividly does Mrs。 Petherwin bring the scenes before our eyes。  She
must now be exhausted; we will have the remainder to…morrow。'

They all agreed that this was well; and soon after fell into groups;
and dispersed about the rooms。  When everybody's attention was thus
occupied Lord Mountclere whispered to Ethelberta tremulously; 'Don't
tell more:  you think too much of them:  they are no better than
you!  Will you meet me in the little winter garden two minutes
hence?  Pass through that door; and along the glass passage。'  He
himself left the room by an opposite door。

She had not set three steps in the warm snug octagon of glass and
plants when he appeared on the other side。

'You knew it all before!' she said; looking keenly at him。  'Who
told you; and how long have you known it?'

'Before yesterday or last week;' said Lord Mountclere。  'Even before
we met in France。  Why are you so surprised?'

Ethelberta had been surprised; and very greatly; to find him; as it
were; secreted in the very rear of her position。  That nothing she
could tell was new to him was a good deal to think of; but it was
little beside the recollection that he had actually made his first
declaration in the face of that knowledge of her which she had
supposed so fatal to all her matrimonial ambitions。

'And now only one point remains to be settled;' he said; taking her
hand。  'You promised at Rouen that at our next interview you would
honour me with a decisive replyone to make me happy for ever。'

'But my father and friends?' said she。

'Are nothing to be concerned about。  Modern developments have shaken
up the classes like peas in a hopper。  An annuity; and a comfortable
cottage'

'My brothers are workmen。'

'Manufacture is the single vocation in which a man's prospects may
be said to be illimitable。  Hee…hee!they may buy me up before they
die!  And now what stands in the way?  It would take fifty alliances
with fifty families so little disreputable as yours; darling; to
drag mine down。'

Ethelberta had anticipated the scene; and settled her course; what
had to be said and done here was mere formality; yet she had been
unable to go straight to the assent required。  However; after these
words of self…depreciation; which were let fall as much for her own
future ease of conscience as for his present warning; she made no
more ado。

'I shall think it a great honour to be your wife;' she said simply。



39。 KNOLLSEA … MELCHESTER

The year was now moving on apace; but Ethelberta and Picotee chose
to remain at Knollsea; in the brilliant variegated brick and stone
villa to which they had removed in order to be in keeping with their
ascending fortunes。  Autumn had begun to make itself felt and seen
in bolder and less subtle ways than at first。  In the morning now;
on coming downstairs; in place of a yellowish…green leaf or two
lying in a corner of the lowest step; which had been the only
previous symptoms around the house; she saw dozens of them playing
at corkscrews in the wind; directly the door was opened。  Beyond;
towards the sea; the slopes and scarps that had been muffled with a
thick robe of cliff herbage; were showing their chill grey substance
through the withered verdure; like the background of velvet whence
the pile has been fretted away。  Unexpected breezes broomed and
rasped the smooth bay in evanescent patches of stippled shade; and;
besides the small boats; the ponderous lighters used in shipping
stone were hauled up the beach in anticipation of the equinoctial
attack。

A few days after Ethelberta's reception at Enckworth; an improved
stanhope; driven by Lord Mountclere himself; climbed up the hill
until it was opposite her door。  A few notes from a piano softly
played reached his ear as he descended from his place:  on being
shown in to his betrothed; he could perceive that she had just left
the instrument。  Moreover; a tear was visible in her eye when she
came near him。

They discoursed for several minutes in the manner natural between a
defenceless young widow and an old widower in Lord Mountclere's
position to whom she was plighteda great deal of formal
considerateness making itself visible on her part; and of extreme
tenderness on his。  While thus occupied; he turned to the piano; and
casually glanced at a piece of music lying open upon it。  Some words
of writing at the top expressed that it was the composer's original
copy; presented by him; Christopher Julian; to the author of the
song。  Seeing that he noticed the sheet somewhat lengthily;
Ethelberta remarked that it had been an offering made to her a long
time agoa melody written to one of her own poems。

'In the writing of the composer;' observed Lord Mountclere; with
interest。  'An offering from the musician himselfvery gratifying
and touching。  Mr。 Christopher Julian is the name I see upon it; I
believe?  I knew his father; Dr。 Julian; a Sandbourne man; if I
recollect。'

'Yes;' said Ethelberta placidly。  But it was really with an effort。
The song was the identical one which Christopher sent up to her from
Sandbourne when the fire of her hope burnt high for less material
ends; and the discovery of the sheet among her music that day had
started eddies of emotion for some time checked。

'I am sorry you have been grieved;' said Lord Mountclere; with
gloomy restlessness。

'Grieved?' said Ethelberta。

'Did I not see a tear there? or did my eyes deceive me?'

'You might have seen one。'

'Ah! a tear; and a song。  I think'

'You naturally think that a woman who cries over a man's gift must
be in love with the giver?'  Ethelberta looked him serenely in the
face。

Lord Mountclere's jealous suspicions were considerably shaken。

'Not at all;' he said hastily; as if ashamed。  'One who cries over a
song is much affected by its sentiment。'

'Do you expect authors to cry over their own words?' she inquired;
merging defence in attack。  'I am afraid they don't often do that。'

'You would make me uneasy。'

'On the contrary; I would reassure you。  Are you not still
doubting?' she asked; with a pleasant smile。

'I cannot doubt you!'

'Swear; like a faithful knight。'

'I swear; my fairy; my flower!'

After this the old man appeared to be pondering; indeed; his
thoughts could hardly be said to be present when he uttered the
words。  For though the tabernacle was getting shaky by reason of
years and merry living; so that what was going on inside might often
be guessed without by the movement of the hangings; as in a puppet…
show with worn canvas; he could be quiet enough when scheming any
plot of particular neatness; which had less emotion than impishness
in it。  Such an innocent amusement he was pondering now。

Before leaving her; he asked if she would accompany him to a morning
instrumental concert at Melchester; which was to take place in the
course of that week for the benefit of some local institution。

'Melchester;' she repeated faintly; and observed him as searchingly
as it was possible to do without exposing herself to a raking fire
in return。  Could he know that Christopher was living there; and was
this said in prolongation of his recent suspicion?  But Lord
Mountclere's face gave no sign。

'You forget one fatal objection;' said she; 'the secrecy in which it
is imperative that the engagement between us should be kept。'

'I am not known in Melchester without my carriage; nor are you。'

'We may be known by somebody on the road。'

'Then let it be arranged in this way。  I will not call here to take
you up; but will meet you at the station at Anglebury; and we can go
on together by train without notice。  Surely there can be no
objection to that?  It would be mere prudishness to object; since we
are to become one so shortly。'  He spoke a little impatiently。  It
was plain that he particularly wanted her to go to Melchester。

'I merely meant that there was a chance of discovery in our going
out together。  And discovery means no marriage。'  She was pale now;
and sick at heart; for it seemed that the viscount must be aware
that Christopher dwelt at that place; and was about to test her
concerning him。

'Why does it mean no marriage?' said he。

'My f

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